此罐侈口直颈,斜肩鼓腹,肩腹交界处置对称双兽耳,极具立体感,下为矮圈足,砂底留有旋痕。通体满画绘有六层花纹,构图繁而不乱,观之赏心悦目。此罐的青花发色明快艳丽,浓重之处带有黑色结晶斑点,浅淡之处晕散自然。腹部主题纹饰为鱼藻纹,从口至底的其余部位则辅以回纹、缠枝菊、缠枝莲、卷草纹和双体莲瓣纹等纹饰,繁满中见疏朗,青花为混合料,略有晕散。此罐造型古朴浑厚,稳重大气,胎体厚重,装饰典雅,纹饰繁缛但不显拥塞。釉质光润透亮,釉面光润闪青,青花色调浓艳苍翠略有晕染,料浓起处起黑斑。装饰纹样主次分明,线条绘画酣畅有力,为元青花瓷器中的精品。 The jar is full of paintings and has six layers of patterns. The composition is complex but not chaotic. The blue and white hair of this jar is bright and bright, with black crystal spots in its thick places, and faint in the shallow parts. The motif of the abdominal theme is algae, and the other parts of the mouth to the bottom are supplemented with grain, such as rewill, chamomile, twine, curling grass and double body lotus. The jar is simple, simple, thick and stable, with thick carcass, elegant decoration, and elaborate decoration, but it does not show congestion. The enamel is smooth and bright, the glaze is bright and green, and the blue and white tones are strong and green, and a little dizzy. Decorative patterns are clear and distinct, and line drawings are lively and powerful. They are excellent products in blue and white porcelain.