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王羲之书法
    发布时间: 2018-08-06 10:15    
王羲之书法
斷定/款識
Years
王羲之
Wang XiZhi
規格
Specifications
长:124cm 宽:63cm
L:124cm W:63cm
數量
Number
1件
1pc
起拍價
Starting price
28000000(HKD)
拍賣時間/地點
Auction time/place
2018 Macao Auction


王羲之(303年—361年,一作321年—379年),字逸少,汉族,东晋时期著名书法家,有“书圣”之称。其书法兼善隶、草、楷、行各体,精研体势,心摹手追,广采众长,备精诸体,冶于一炉,摆脱了汉魏笔风,自成一家,影响深远。风格平和自然,笔势委婉含蓄,遒美健秀。李志敏评价:“王羲之的书法既表现以老庄哲学为基础的简淡玄远,又表现以儒家的中庸之道为基础的冲和。”代表作《兰亭序》被誉为“天下第一行书”。此帖为《虞安吉帖》是王羲之向益州刺史周抚推荐虞安吉做周抚下属的一封信函。其大致意思为:虞安吉曾经与我共事,时常惦念他。现在是殿中将军。他前不久经过这里,对我说与您是中表亲,他不在乎年纪大,非常想到您那里去做您的下属。我推论他的资格,可以担任小郡的郡守,您愿意录用他吗?这是我所关心的,因此在此远道特别提起。这封信反映出王羲之晚年社会交往,为人处世的一个侧面。
此帖通过虚实相间、点画断连等多种对比互补手法来形成作品的书写节奏与韵律。首行用笔铺毫下行,浑厚有力,形成“实”的效果;第二行则提笔轻带点,由断到连,字势开阔,形成“虚”的效果。“中表”二字则顿挫有力,与首行形成呼应。之后,第三行自“以年老甚”开始笔势相连,且字愈来愈小,变得狂草.最后一行字体稍变大,回应首行,完成形成起承转合的韵律与节奏。且为历代皇家所珍藏,,得以传承,实属难得,极具收藏价值.

Wang Xizhi (303-361, 321-379) was a well-known calligrapher in the Eastern Jin Dynasty. He had few characters and was known as "calligraphy sage". His calligraphy is good at Li, Cao, Kai and Xing, and has a profound influence. The style is gentle and natural, gentle and reserved, gentle and beautiful. Li Zhimin commented: "Wang Xizhi's calligraphy shows not only the simplicity and farsightedness based on Lao Zhuang's philosophy, but also the harmony based on the Confucian doctrine of the mean." The preface of Lanting Pavilion is known as "the best in the world". This post is "Yu An Ji Tie" is a letter from Wang Xizhi recommending Yu An Ji to be a subordinate of Zhou Fu, a scholar in Yizhou. Its general meaning is: Yu Anji once worked with me, often missed him. This is the general of the palace. He came here a short time ago and told me that you are a middle cousin. He doesn't care about his age. He really wants to be your subordinate. I deduce his qualifications and serve as a county sheriff. Would you like to hire him? This is what I care about, so I would like to mention this far away. This letter reflects a part of Wang Xizhi's social interaction in his later years.
This post forms the writing rhythm and rhythm of the work by means of various complementary contrastive techniques such as virtual reality and dot drawing. The first line is thick and powerful, forming a "solid" effect; the second line is light with the pen, from broken to even, the character is open, forming a "virtual" effect. The two words in the "table" were forceful and echoed with the first line. Later, the third line begins with the gesture of "getting older" and the words become smaller and more cursive. The last line becomes slightly larger, responding to the first line, completing the rhythm and rhythm of the transition. And for the royal collection of the past, to inherit, it is rare, highly collectible value.

来源: | 作者:pmo677aba | 发布时间: 2024-01-02 | 34588 次浏览 | 分享到: