珐琅彩瓷创烧于康熙，盛于雍乾，专供宫延皇室玩赏之用。雍正时期御窑珐琅彩成就空前绝后，工艺最美。此尊釉面光滑洁净、端庄秀美，形如琵琶。瓶身以描金工艺绘卷草纹，胭脂红地开窗，内以宫廷工笔画绘锦鸡、翠鸟、山石花卉，画风娴熟，立体感强，形态逼真，达到了“花见露珠，枝闻鸟语”的高超境界。胎质白净、细腻、珐琅彩料艳丽通透，釉料凸出有明显立体感，光照下可见七彩蛤蜊光，50倍微观下花、叶可见细微开片。底足呈泥鳅背状，双方框内书“雍正年制”四字蓝料楷书款。双耳、瓶口鎏金为饰，整器雍容富贵，小巧精致，造型稀少，属皇家御用赏器。从形制、制作工艺难度还是从珐琅彩用料、画风之优美几个方面看，本器都可称是雍正时期珐琅彩上佳之作，具有极高的收藏、观赏价值。
Enamel colored porcelain burned in Kangxi and flourished in Yong Qian, which is dedicated to imperial palace appreciation. During the Yong Zheng period, the enamel color of Royal kiln was unprecedented and the most beautiful technology. This glaze is clean, elegant and elegant like a pipa. The bottle is painted with gold, the rouge opens the window, and the court paints and paints the Caragana, the kingfisher and the mountain and stone. The style of painting is skillful, the three-dimensional sense is strong and the shape is realistic. It has reached the superb realm of "seeing dew and hearing birds". The white, delicate and enamel color of the fetus is bright and transparent, the glaze has obvious stereoscopic feeling, and the seven color clam light is visible under the light, and the flowers and leaves are fine open in 50 times. The bottom foot is loach back, and the two sides of the box are "Yong Zheng year" four character blue script. Two ears, bottle gilt as decorations, the whole body is graceful and rich, small and exquisite, and its shape is rare. From the shape, the difficulty of making process or the beauty of enamel and the graceful style of painting, this device can be called the best works of Yong Zheng's enamel. It has a very high collection and ornamental value.